Wednesday 1 August 2012

Hero S Journey, Screenwriting, Story Structure - Overcoming Myths

Films as diverse as Gladiator 2000, Million Dollar Baby 2004, Raging Bull 1980 and Scarface 1983 were all constructed around the Hero's Journey Template. There are so many myths surrounding the art of screenwriting, creative writing, creativity and innovation. the position of misunderstanding out there is astounding. For example, the lack of understanding or even a mention regarding the Hero's Journey in most screenwriting texts. For example, the myth that hero's should be flawed.



This is story and archetype specific. For example, that a story should begin strong. True, as long as starting tough is taken to mean communicating salient details from the get go. For example, that there is a creative kind or personality. Many theorists and practitioners ponder that there exists common characteristics to creative people, for example tolerance to ambiguity and risk taking.



However, these traits are not with no problems identifiable and are not stable throughout situations. Further, motivation is more important that nature or nurture. The greatest method to overcome the myths, specifically in screenwriting, is to reach that you own understanding by analyzing stories, screenplays and films. Watch them, deconstruct them scene by scene and return to that you own conclusions. You can attain distant greater insights and intimacy together with the topic.



But the above is the 2nd component of a 3 stage process: a read what is already known, be engage as above to attain that you own insights and c synthesise all to attain your unique intimacy together with the topic. You are free to reproduce this post as long as no changes are created and the author's name and place URL are retained. The Done 188 stage Hero's Journey and FREE 17 stage sample and other story structure templates shall be located at should possibly receive a regular, free newsletter by entering your email address at this site. Kal Bishop is a management consultant based in London, UK. His specialities with Knowledge Management and Creativity and Innovation Management.



He has consulted within the visual press and software industries and for clients for example Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a many screenplays. He is a passionate traveller. He shall be reached at.

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