In fact, ALL regarding the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template. Understanding this template is a priority for story or screenwriters. This is the template you should master whether you can be to succeed within the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to God regarding the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
OUTLIERS
In statistics, outliers are the exceptions. These are the incidences that occur outside the normal section of results.
Many people cannot get their head around the system that every story they have seen, view or been exposed to is essentially a reworking regarding similar base.
They rebel against it. They cannot look it. They don't ever like possessing the magic trick explained to them. They don't ever like the system that their favourite stories, albeit structurally, are not completely "original." They lack the benefit of skills development and they have not sat through hundreds of successful stories and deconstructed them scene-by-scene and sequence-by-sequence. They have not attained the epiphany.
You should not be two of these people. Not whether you need to be commercially successfully.
Often, these people refer to outliers (the exceptions) sequential to justify their theory that not all stories conform to similar to base.
a) There are, in reality, very little outliers.
b) Many people are bad analysts (with a poor understanding regarding the Hero's Journey and Transformation) and incorrectly refer to stories (that follow the structure) as exceptions.
c) The outliers (exceptions) are nearly always fewer effective, poorer stories and commercially unsuccessful (one reason you should not worry about them).
d) The further the outliers veer distant from this structure, the poorer and fewer successful they tend to be (another reason you should not worry about them).
e) The exceptions are nearly always component of an unusual genre, for example "experimental" or "art-house." While these shall have value in their own right, they shall divert you from writing effective and successful stories.
Steven Spielberg uses this structural template. George Lucas uses this structural template. Francis Ford Coppola uses this structural template. Shakespeare used this structural template. All your favourite writers, directors and producers use this structural template. You should use this structural template.
In summary, not ever worry regarding the outliers. Master this structure first.
(For the Done 188+ stage Hero's Journey basically leave to )
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
*****Transcendental Powers Remain Behind*****
The Hero should fight his (or her) Final Battle alone - how else can he (or she) be sure that the antagonisms (which in no mini measure are psychological) have certainly been overcome. Allies remain behind: In God regarding the Rings, (2003), Frodo journeys up the mountain alone. In Alien (1979), no one is left but Ripley.
Mentors remain behind: Within the Wizard of Oz (1939), the Wizard cannot manage his balloon and flies away. In Wall Street (1987), Bud Fox falls out with his Dad, Carl Fox. Magical Aids remain behind: In American Beauty (1999), Ricky can no detailed supply Lester with marijuana. In Bullitt (1968), Frank no detailed has Ross' dead body to play with.
*****Herald's Journey*****
The Herald is the bringer regarding the Call to Adventure or better, The Call to Transformation. But his (or hers) shall be a minor story in itself. The Herald often demonstrates sure characteristics, including: Sent by the Township. In Armageddon (1998), Nasa sends the special agents to bring return Bruce Willis.
Time Pressure. The Herald is usually below extreme Time Compression to bring the Call to Adventure to Hero. In Romancing the Stone (1984), Mrs Irwin is rushing home. In Armageddon (1998), there is only so many time prior to the meteor strikes. Pursued. The Heralds are often pursued. In Star Wars (1977), the 'droids are followed by stormtroopers. Multiples and Death en route. It is not unusual for the Heralds to venture in pairs or groups. In Troy (2004), many riders seek him. Often this demonstrates the urgency and danger regarding the Journey, as not all Heralds survive. Study more...
WRITE THAT SCREENPLAY!
The Done 188 stage Hero's Journey and other story structure templates shall be located at stages regarding the Hero's Journey should possibly be reached from should possibly receive a free sample file by entering your email address at this site.
You can post this story on your net location or blog as long as no changes are made, the author's name is retained and the links to our location URLs remains active.
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Kal Bishop, MBA
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